a boy sitting in a library
All Works

MAY 2025 · TRACK · 1 PIECE · 02:42

You're a Wizard

You're a Wizard0:00 / 0:00

This track began not with a story or emotion I was trying to capture, but with pure curiosity. When I discovered Ben Osterhouse’s virtual cello library of playable two-note slurs (Ripple Cells), I was immediately captivated by its beauty. What started as a couple of hours of exploration and improvisation gradually revealed itself as the foundation for something more structured.

This library exists in that fascinating space between sample loops and fully playable instruments. Learning to “play” it felt like getting acquainted with a new physical instrument - there was a genuine learning curve, but one that I found genuinely enjoyable rather than frustrating. The programming behind it is remarkably well done, making the discovery process rewarding at every turn.

What emerged during composition was something I hadn’t entirely expected: a conversation. There were moments when I guided the cello, molding it to my compositional will, but equally powerful moments when it guided me, revealing its unique character and suggesting directions I hadn’t initially considered. The relationship evolved throughout the piece - in some sections, the cello library takes center stage, driving the emotional heart of the composition. In others, it steps back into a supporting role, enhancing the broader orchestral landscape.

The most striking quality this instrument brought to my work is what I can only describe as a “grounded organic feel.” Despite being a virtual instrument, there’s something authentically tactile about how it sits within the orchestral texture. It anchors the piece in something that feels tangible and real.

What began as an exploration of sound ultimately became a lesson in musical partnership - learning when to lead and when to follow the natural voice of an instrument.

I would strongly encourage fellow composers to explore Ben Osterhouse’s Ripple Cello library for themselves. Whether you’re looking to add organic textures to your orchestral compositions or simply seeking a new source of inspiration, this instrument offers something truly special. The learning curve is gentle yet rewarding, and the expressive possibilities it opens up are well worth the journey of discovery. It might just inspire you to create something unexpected, as it did for me.

osterhousesounds.com/products/ripple-cello

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